In a particular scene, Soori tells Sivakarthikeyan that a girl can be easily brainwashed and manipulated by her parents.
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Women are objectified on screen and are reduced to the stereotypical wife without brains. What is more terrible is how she waits right till the end of the film to fight an adversary. Sadly, Ponram thinks that giving silambam to a heroine makes a film progressive.ĭespite being a master at the martial art, Samantha is the timid heroine who needs a hero to save her from local ruffians.
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She is a PT teacher who puts her silambam (a traditional martial art) skills on display. Throw in some Sivakarthikeyan and Soori's old comedy, the farmer sentiment, Ajith-Vijay references, and you get Seema Raja.Īnother appalling factor in Seema Raja is the way Samanatha's character is etched. How Sivakarthikeyan wins Samantha's love and helps the villagers of Singampatti forms the story of Seema Raja. Kaathadi Kannan (Lal) and his wife Kaaleswari (Simran) belong to Puliyampatti, and their sole aim is to force villagers to give up their land so they can start windmill projects. The residents of Singampatti and neighbouring village Puliyampatti are always at loggerheads with each other. Here it is Sudhanthira Selvi (Samantha), a Physical Training teacher in a village school. Like all his previous films, he is a wastrel whose sole aim is to woo the girl he falls in love with. Seema Raja (Sivakarthikeyan) is the Singampatti royal family heir. so much that you contemplate running out of the theatre. Instead, the film irritates you every five minutes.
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On top of it, director Ponram doesn't make Seema Raja enjoyable at all. There is a wafer-thin storyline which is highly predictable. Sivakarthikeyan and Samantha's Seema Raja lacks in that department.